British singer uses on his current world tour this microphone measurement as part of the sound system to ensure optimum quality in all his concerts.
'Adele Live 2016' world tour, which hangs the sign of everything sold at each concert has a careful sound design, with a focus clearly on British singer and his voice, which is complemented by a spectacular scenic visual support, in which optical and acoustic effects are combined to perfection.
Due to the concept of the show, with sections in the scenario A and B, a fundamental element in this production is sound and, in particular, system measurement, to ensure optimal sound quality and adjust the sound source to the position of the artist.
The design of the sound system allows that the sound source 'move' in a certain way during the show. As innovation, the equipment of PA is significantly greater in the stage B, assigned as central, that in the to, which is the main in the enclosure. If the singer moves to one of the scenarios or between the two during the show, the sound source also follows it.
The responsibility of creating this impressive system of sound falls in an experienced team, formed by the engineer of FOH Dave Barcey, and the engineer of systems of audio Ulf Seckel (in the image), that have worked also together for artists international as Pink, Cher and now Adele.
In order to measure both scenarios PA systems (the A - 270 ° and 360 ° B), Ulf Oeckel has relied on the new Beyerdynamic TG MM1w (that distributes in Spain) Gaplasa), since until this measurement microphone was officially presented in Prolight + Sound-2016, this engineer could work in exclusive with the combination of the system wireless digital, the transmitter's hand and the capsule TG MM1w at the tour of Adele.
"The microphone TG MM1w has State with me in turns during nine months and is has proven as very accurate and extremely robust-explains Oeckel-." Before the world tour of Adele, I had already been working with this new model, together with the TG 1000 system, Mark Knopfler tour and that work was able to provide useful feedback to the development team."
Gracias al booster integrado en TG MM1w, “la transmisión en grandes recintos es genial, y el transmisor de mano es muy agradable en términos de uso. Generalmente, cuando estoy en gira tengo que usar entre cinco y seis micrófonos de medida de este nivel a lo largo del año, ya que la mayoría sufre pérdidas de comportamiento en el rango de HF con el tiempo y se vuelven imprecisos. Pero después de nueve meses, TG MM1w está aún generando medidas constantes y fiables, y realmente me ha impresionado”, subraya Oeckel.
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