Robe luminaires and Led screens create a synchronized show for composer Ferrugem

until 450 Robotics from this manufacturer, more than 500 meters of LED screens and eighteen cameras have been used to produce a synchronized visual effect during the recording of the DVD of the Samba composer's concert.

Ferrugem, stage name of Samba singer and songwriter, has recorded a DVD of his concert at the Jeunesse Arena, in Rio de Janeiro (Brazil); a show directed by Anselmo Trancoso and whose lighting design has been carried out by the Brazilian specialist and director of photography Carlinhos Nogueira with 450 Robotics Steal, along with other luminaires, more than 500 meters of LED screens and eighteen cameras to capture all angles during your performance.

The specialist Wolf Produções, through Gabriel Pincel as technical director of this project, has been in charge of supplying the equipment, as well as the technical production of this artist's tours.

specifically, The Robe equipment that has been used is made up of: 36 BMFL Washbeam luminaires; 94 Pointe; 60 Megapointe; 62 Spiider; 56 Spikie; 57 CycFX; 72 Led Beam 150 and 8 Inclined LED panels for a synchronized combination between lighting and screens.

BMFL WashBeam luminaires were placed at the back of the stage to create and provide lighting from behind, while the MegaPointe hung from square trusses above the stage and above a long step that protruded above the audience.

For its part, Pointe and Led Beam units 150 They were installed in the front wings of the stage, as well as in a series of LED edges that framed the trusses located at the top of it, while the Spiider luminaires were located on the trusses built above the audience to illuminate the attendees at the large angles and for the sweeps from one side of the venue to the other.

The rig was designed to provide complete and homogeneous illumination for all cameras, At the same time, it allowed you to generate filler options and multiple effects for particular moments of the show. Like this, MegaPointe created spectacular 'group effects' using gobos and prisms, that produced a wide variety of effects that the cameras captured in total quality.

The Big Blocks of Color, In wash mode touring the public, along with motion and wave effects were the work of Spiider luminaires, and CycFX units 8 They were used to delineate the geometry and shapes of the square trusses and other parts of the stage.

The lighting control of the show was carried out with a combination of grandMA3 and grandMA2 consoles from MA Lighting, along with the media server Resolume for the playback video.

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