DPA and SeeSound collaborate with Track on the Studio Recording for Music Production course

The DPA microphone brand will be present in the next edition of the monographic course on Studio Recording for Musical Production organized by Track Formación and which will be taught by the prestigious sound engineer and producer Jose María Rosillo.

DPA y SeaSound They are going to collaborate with the young school Training Track in the monographic course on Studio Recording for Musical Production created by the audiovisual training promoter together with the sound engineer José María Rosillo to offer exclusive and totally focused content, from the first minute around the audio recording process in the context of musical production. This innovative four-day course taught by Rosillo includes the participation of a set of musicians, a wide representation of the most advanced DPA studio microphones and will be fully developed in the more than 200 square meters of the “Eastlake” room at Drax Audio in Madrid.

José María Rosillo himself will be the one who chooses the DPA microphones that he wants to use along with other brands; course attendees 200 hours are professionals in the sector and what is intended is that in addition to dealing with the common work techniques of Rosillo, can experiment with top-quality microphone models. DPA to provide Reference Standard series microphones 4000 with interchangeable capsules (omnidirectional, Cardioide, Semicardioid and Gunshot Supercardioid), that improve DPA microphones 4006, 4011, 4015 y 4017, with standard preamps, compact and with filter, in addition to the series 2000 Reference Standard pioneers dual membrane capsule, omni and cardioid to combine with previous preamps.

The professor of the program bears the signature of one of the most relevant sound engineers in the country. Sound engineer and producer, the name of José María Rosillo has been linked, among dozens more, to those of Amaral, Jorge Drexler, Men G, Duncan Dhu, Cooper and Christina Rosenvinge. He is also responsible for and coordinates the entire sound infrastructure of the well-known Benicàssim Music Festival..

Contents:

– Microphone comparisons

– Mono/stereo microphone techniques

– Uses and applications for common instruments

– Live recording in the studio and acoustic isolation

– VU monitoring, PPM, LED

– Software and studio configuration

– Use of dynamic processors

– Workflow – anécdotas, etc.

When:

Class 1: Friday 30 November 18:00 a 22:00 hrs
Class 2: Saturday 01 December 10:00 a 16:00 hrs
Class 3: Friday 14 December 18:00 a 22:00 hrs
Class 4: Saturday 15 December 10:00 a 16:00 hrs