Armin Van Buuren designs the audio of his show with the mla system of Martin Audio

For five hours, The well -known Dutch DJ offered a spectacular show in Wembley's SSE SSE, on the outskirts of London.

The legendary DJ Armin Van Buuren took less time to sell all tickets for his long -awaited Wembley Easter show, in it SSE Arena, that in performing your own performance, An incredible five -hour set in the United Kingdom capital.

The company specialized in this type of events regularly resorts to Capital Sound For sound equipment, With the array of MLA speakers Martin Audio as your first choice PA system.

Alex Anderson, Project Director of Lock ‘N’ Load, Concert Promoting Company, He explains: “I advised those responsible that in this enclosure we needed a MLA system due to its great capacity and the flexibility of programming it offers to exercise real control over noise levels abroad, a priority for us as it is a night performance that lasted until five in the morning ”.

In this sense, The system was designed to provide SPL throughout the perimeter of the sand, While the acoustic level was drastically reduced as anyone moved away from that area to enter sensitive or very urbanized areas of Wembley.

The production team flew twelve elements MLA and two MLD enclosures like Downfill on each side of the stage, along with six compact elements mlap on each flank.

A wide cardioid array was deployed along the front to get the rear rejection, formed by sixteen subgraves mlx (with the ability to deliver until 150 dB), that made it possible to keep the serious away from the posterior wall of the enclosure.

To this were added eight XD12 enclosures by Martin Audio, which were spaced along the upper part of the subgraves to offer the coverage of the nearby field.

To comply with the specifications requested in the Raider proposed by Armin Van Buuren, An Xone mixer was also supplied:DB4 of Allen & Heath, Brand that like Martin Audio also markets in Spain and Portugal Audio-Technica Iberia.

The sound engineer for FOH was Wouter Asselman, which had the collaboration of the Systems Technician Dan Fathers and that of Pa Andreas Andreou, both of capital. Tim Paterson was the head of the Sound capital team, Antony Best acted as a monitor technician and Sander Reneman was the general director of the tour.

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