Primavera Sound 2014 shined under the lights of Robe and Vari-Lite on the Pitchfork stage

The Granollers company Ara So has been responsible for the lighting, sound and video of the Pitchfork and Vice stages that have been used for the Primavera Sound alternative music festival 2014. The Robe and Vari-Lite brands have played a fundamental role in staging the performances.

at the end of may, Barcelona becomes the meeting point for alternative music lovers who gather around the Primavera Sound festival. An annual event dating back to 2001 and that edition after edition continues to exceed your expectations.

This year the meeting was held between 29 and the 31 of May and, as usual, It was held in the Parc de Fòrum. The organized musical proposals continue to strengthen Primavera Sound as one of the independent festivals of reference, both nationally and internationally., proposals among which Arcade Fire has stood out, The National, Foals and Nacho Vegas among many other artists.

In this show, the lighting systems have been fundamental in which brands such as Robe y Vari-Lite, representadas por Entertainment Equipment Supplies (EES), by the hand of Ara So.

In this year's edition, the company of Granollers Now So, in collaboration with Twincam Audio Performance, has been in charge of the lighting, Pitchfork stage sound and video, where you have already worked in the last five years, and Vice, both located under the photovoltaic plate of the Park of the Forum in Barcelona.

Lighting and audio

The Pitchfork stage has had an L-Acoustics sound system composed of 24 Kara enclosures, 8 subgraves SB -18 y 8 subgraves SB -28, controlled from the FOH by a Digidesign Venue Profile mixing console.

In terms of lighting, the Pointe de Robe luminaires stood out., Vari-lite VL3000 mobile projectors and the company's latest acquisition, los Clay Paky A.leda B-EYE K10. Regarding audiovisual equipment, Ara So chose to equip this stage with two projectors Christie LX700de de 7.000 lumens.

For your part, the Vice stage had a sound system L-Acoustics composed of 12 Kara enclosures, 4 subgraves SB -18 y 4 subgraves SB -28, controlled from the FOH by a Digidesign Venue SC48 mixing console. Lighting was done with projectors. Martin Mac 600 and mac 2000 Profile.